and I want it painted black
More colors out the door I want them to turn back
I see the boys walk by dressed in their summer clothes
I have this urn overhead until my darkness snows...
Hmm, hmm, hmm...
July 7, 2011
I see a red door....
and I want it painted black
More colors out the door I want them to turn back
I see the boys walk by dressed in their summer clothes
I have this urn overhead until my darkness snows...
Hmm, hmm, hmm...
July 2, 2011
June 10, 2011
The racy crocodile of Queerocracy is not sure about marriage....
too many realities, not enough categories...
The crocodile is
OVER
IT
June 6, 2011
My installation for BOYS TOYS
My installation for the "Boys Toys" exhibition in Warsaw @ Galerie Czulosc was basically a giant collaborative group drawing. I made about 40 'coloring book style' drawings (25 of them made specifically for the exhibition) that were xeroxed en masse and covered the walls of my room with an invitation for the audience to interact by adding their own marks, doodles and drawings to my own. Coloring outside of the lines was encouraged.
The drawings I produced reflect my feelings about 'boys toys'; both the show itself and it's sexual innuendos, as well as my growing fixation with sexual and gender ambiguities, gray areas and variations.
Photos by the show's curator Karol Radziszewski
More photos from the exhibition, it's opening and after-parties:
June 3, 2011
BOYS TOYS
(re-posted from the blog of Karol Radziszewski)
BOYS TOYS
artists: Gio Black Peter, Andrej Dubravsky, Brian Kenny
curator: Karol Radziszewski
Czulosc Gallery
Dabrowiecka 1A
Warsaw, Poland
opening: 3.06.2011, 8 pm
finissage: 12.06.2011, 5 pm
exhibition open: 4-11.06.2011, 4 pm-7 pm
BOYS TOYS is an exhibition by three young, handsome and crazy artists, one of whom lives in Bratislava and two in New York. None of them has shown his work in Poland, which makes this a unique opportunity, especially since most of the works have been created specially for this exhibition.
BOYS TOYS will includes the boys’ cartoon alter egos, who have vivid imaginations and risky adventures. They are complemented by a tasty selection of short video clips and music videos.
GIO
ANDREJ
ME
May 25, 2011
My portraits in Slava's new show!
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| Sticks & Stoned |
June 4 - 25, 2011
Opening: Saturday, June 4th, 3-6 PM
each day we would carve each day like a piece of vulture
as a trail of days like an overlay brunette sculpture
until suddenly last summer is that penned
using people and maybe that's not contend
not being able to use people to borrow
suddenly peaceful after all that taboo tomorrow
those nightmares just to be able to tame
their eyes to a sky not black with savage shame
as a trail of days like an overlay brunette sculpture
until suddenly last summer is that penned
using people and maybe that's not contend
not being able to use people to borrow
suddenly peaceful after all that taboo tomorrow
those nightmares just to be able to tame
their eyes to a sky not black with savage shame
Slava Mogutin, After Tennessee Williams, 2011
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| Cone Face |
In his latest NY solo exhibition at AS IF gallery in Harlem, Slava is presenting his beautiful new series entitled Suddenly Last Summer.
Curated by Diego Cortez, this show features large-scale prints and a limited edition box set of 25 prints, 5" x 5" each, edition of 25 copies.
Above and below are the portraits from this series that Slava suddenly took of me last summer. Enjoy!
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| Sunny Garden |
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| Showerhead |
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| Spinario |
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| Rock Bottom |
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| Hand Stand |
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| Sunny Side |
 | |
| Stone Face |
In Slava Mogutin's Suddenly Last Summer, 25 photographic images of male subjects are set in traces of blurred summer color. They are taken with a Holga camera, whose plastic lens delivers the type of experimental accidents for which Jack Smith and Stan Brakhage strove. The resulting light-leaks and double-exposures allow Mogutin a new impressionist vision where a rich and refracted spectrum is layered into the penetrating light of day.
These images are not erotic per se but emotional – an expression of love's natural freedom as opposed to repression's unnatural grip. In perfect contrast to Sebastian's horrifying noonday martyrdom in Williams' Suddenly, Last Summer, Mogutin's subjects live and perform in the open, in brilliant air, in full color and natural light.
Slava Mogutin's luminous pictures celebrate a polychrome Eden that has actually, largely arrived.
These images are not erotic per se but emotional – an expression of love's natural freedom as opposed to repression's unnatural grip. In perfect contrast to Sebastian's horrifying noonday martyrdom in Williams' Suddenly, Last Summer, Mogutin's subjects live and perform in the open, in brilliant air, in full color and natural light.
Slava Mogutin's luminous pictures celebrate a polychrome Eden that has actually, largely arrived.
Diego Cortez
 | |
| Sky High |
May 22, 2011
Really? ...
--Las Vegas is LOL--
some )weirdness( I noticed last week.
Marilyn Monroe w/ urinal
deodorant w/ fishes
Hairnet w/ cookies
bed w/ contorted creepy mannequin
May 21, 2011
May 4, 2011
May 1, 2011
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